Kirsty Hoiles

Actor · credited in Ludwig

Programme credit recordedProfessional details under verification

Professional source: Kirsty Hoiles’s current AHA Talent profile provides stage, screen, skills and training details. Her Ludwig role is listed in the Episode 4 cast.

Playing ageNot publicly verified

Height5 ft 6 in, per agency

BaseNot publicly verified

NationalityNot publicly verified

Accents & languagesSee authorised CV

Union membershipNot publicly verified

Biography

Professional overview

Kirsty Hoiles is an actor and musical-theatre performer whose AHA Talent profile spans West End musicals, regional theatre, touring productions and television. She played Diane in the UK and Ireland tour of Come From Away, Tanya in Mamma Mia! at the Novello Theatre, Pauline Mole in The Secret Diary of Adrian Mole Aged 13¾ at Curve, and Young Viv in Spend Spend Spend at the Watermill Theatre.

Her agency also records Betty Blue Eyes, Gone With the Wind, Les Misérables and The Three Musketeers among her stage credits. Selected screen work includes The Rings of Power Series 2, The Tower Series 2 and 3, Silent Witness Series 26, Rebel Cheer Squad as Ms Carson, and The Undeclared War as Caroline Fitch. AHA’s actors news now names Hoiles as Helena Moss in Ludwig Series 2; British Comedy Guide places the role in Episode 4. This is a selected, sourced overview rather than a complete dated career ledger.

Showreel and video

Authorised media only

AHA Talent hosts Hoiles’s 2025 showreel and a voicereel. Watch or listen through the agency; this Casebook does not copy the recordings or production images.

The agency credits David James for its portrait, but publication there does not establish reuse rights here.

Television credit

Ludwig

Performer: Kirsty Hoiles
Role: Helena Moss
Record: Series 2 Episode 4

AHA’s actors news identifies Hoiles as Helena Moss in Series 2. British Comedy Guide’s Episode 4 cast supplies the episode placement. The broadcast end credits have not yet been checked directly.

episode guide: Series 2, Episode 4.

The agency confirms the role and series; the episode placement comes from a secondary programme listing.

Artwork and photographs

Original fan-art portrait

The header uses a clearly labelled, original editorial likeness illustration created for this independent fan archive. It is not an official image or production still. Agency photographs, press images and programme stills remain on their publishers’ sites unless reuse permission is documented.

Skills

Professional skills

Her agency lists French; accents including RP, Yorkshire, London, Welsh and several American variants; mezzo-soprano singing across musical, jazz, cabaret and opera styles; jazz dance; and juggling, puppetry and tennis. These are agency-listed professional skills, not independently tested by the Casebook.

Training

AHA Talent lists Warwick University for Hoiles’s training without a course or qualification. A separate theatre-directory biography names different institutions; until that discrepancy is resolved with a direct source, this profile does not assert a degree or graduation year.

Awards and recognition

Award record

AHA Talent states that Hoiles won the 2009 TMA Award for Best Performance in a Supporting Role in a Musical for Young Viv in Spend Spend Spend. The Guardian’s contemporary theatre coverage corroborates the award and role. No other individual award is claimed here.

Representation and availability

Contact through authorised channels

AHA Talent currently lists Kevin Brady as Hoiles’s agent. Consult the agency directly for professional enquiries; this Casebook does not imply availability.

External links

Continue with professional sources

AHA Talent — Kirsty Hoiles: current agency profile, selected credits, skills, training, award and hosted reels.
British Comedy Guide — Ludwig Series 2 Episode 4: Helena Moss casting.
The Guardian, 2010 theatre coverage: contemporary corroboration of the 2009 TMA award.

Corrections and additions

Are you the performer or representative?

Verified biography, measurements, skills, training, representation, showreel and approved photography can be submitted for editorial review. Nothing supplied is treated as permission to publish an image unless the usage terms are explicit.

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